New film at Old State House highlights Cambridge’s ties to colonial ‘scalp bounties’
““Bounty,” the newly installed film at Boston’s Old State House, is only nine minutes long, but its powerful and disturbing message looms much larger for audiences. Whether tourists or locals, visitors to the Old State House usually expect to tour the 1713 building to glimpse the legislative history of Massachusetts, particularly the events and public debates surrounding the Stamp Act, the Boston Massacre and other aspects of Revolutionary history. Now part of Revolutionary Spaces, which also oversees the Old South Meeting House, the Old State House is sharing the history of brutal attacks on New England’s Indigenous peoples as part of Massachusetts colonial policy – a legacy that is surprising and unnerving to those used to a purely celebratory telling of the colony’s story.”
““Bounty,” the newly installed film at Boston’s Old State House, is only nine minutes long, but its powerful and disturbing message looms much larger for audiences. Whether tourists or locals, visitors to the Old State House usually expect to tour the 1713 building to glimpse the legislative history of Massachusetts, particularly the events and public debates surrounding the Stamp Act, the Boston Massacre and other aspects of Revolutionary history. Now part of Revolutionary Spaces, which also oversees the Old South Meeting House, the Old State House is sharing the history of brutal attacks on New England’s Indigenous peoples as part of Massachusetts colonial policy – a legacy that is surprising and unnerving to those used to a purely celebratory telling of the colony’s story.
The exhibit, housed in the Old State House’s council chamber, tells the story of so-called “scalp bounties” – one that has a direct connection to Cambridge as a whole and, in particular, to History Cambridge’s headquarters at 159 Brattle St. The adopted son of Sir William Phips, the first governor of the Province of Massachusetts Bay, Spencer Phips entered politics in his own right in 1721 when elected to the provincial assembly. His family connections had set Phips up for political and economic prominence and, several years after his graduation from Harvard in 1703, he bought a large tract that encompassed much of what is now East Cambridge and settled there with his family.”
Continue reading at Cambridge Day.
Considering History: The Troubling Story of Scalp Bounties
“In 1755, Massachusetts Bay Colony’s Royal Lieutenant Governor issued a scalp bounty proclamation, offering substantial cash payments to any white colonists who brought in the scalps of indigenous men, women, and children. This was just one of approximately 70 scalp bounty proclamations issued in New England in the century before the American Revolution; U.S. governments issued at least another 50 throughout the new nation in subsequent decades. These planned genocides are a profoundly painful part of American history, but are often little remembered or discussed.”
“In 1755, Massachusetts Bay Colony’s Royal Lieutenant Governor issued a scalp bounty proclamation, offering substantial cash payments to any white colonists who brought in the scalps of indigenous men, women, and children. This was just one of approximately 70 scalp bounty proclamations issued in New England in the century before the American Revolution; U.S. governments issued at least another 50 throughout the new nation in subsequent decades. These planned genocides are a profoundly painful part of American history, but are often little remembered or discussed.
Earlier this month, I was invited by the folks at Revolutionary Spaces, the organization that manages both the Old State House and the Old South Meeting House historic sites on Boston’s Freedom Trail, to view the new short film Bounty. Created by Penobscot Wabanaki Native American filmmakers Dawn Neptune Adams, Maulian Dana, and Adam Mazo, with the support of the Upstander Project, this 8.5-minute film screens on a continuous loop in a second-floor room adjacent to the Old State House’s central attraction, a recreation of the Council Chamber where the Massachusetts Colony’s Royal Governors met with their Councils — and where they signed the scalp bounty proclamations that are the subject of this bracing and powerful film.”
Continue reading at the The Saturday Evening Post.
Insider Interview: Bounty with Upstander Project
“Revolutionary Spaces recently sat down with the Upstander Project team, including co-presidents Adam Mazo and Mishy Lesser, to discuss their film Bounty, which follows Penobscot families as they read a scalp bounty that was signed in the Old State House’s Council Chamber. Bounty is currently screening in the Old State House.
What is Bounty? Why is it set in the Old State House?
Adam Mazo: Bounty is a filmic testimony of the immeasurable resistance and survivance of Indigenous Peoples. The film is the cornerstone of a media ecosystem which includes a nine-minute documentary film, several educational videos, a four-lesson comprehensive Teacher’s Guide, digital timeline, and the Bounty Rewards Archive. In the film, Penobscot parents and children resist erasure and commemorate survival by reading and reacting to one of the dozens of government-issued bounty proclamations that motivated colonial settlers to hunt, scalp, and murder Indigenous people.”
“Revolutionary Spaces recently sat down with the Upstander Project team, including co-presidents Adam Mazo and Mishy Lesser, to discuss their film Bounty, which follows Penobscot families as they read a scalp bounty that was signed in the Old State House’s Council Chamber. Bounty is currently screening in the Old State House.
What is Bounty? Why is it set in the Old State House?
Adam Mazo: Bounty is a filmic testimony of the immeasurable resistance and survivance of Indigenous Peoples. The film is the cornerstone of a media ecosystem which includes a nine-minute documentary film, several educational videos, a four-lesson comprehensive Teacher’s Guide, digital timeline, and the Bounty Rewards Archive. In the film, Penobscot parents and children resist erasure and commemorate survival by reading and reacting to one of the dozens of government-issued bounty proclamations that motivated colonial settlers to hunt, scalp, and murder Indigenous people.”
Continue reading at Revolutionary Spaces.
Generations later, Mainers confront a genocide that still remains overlooked
“Dawn Neptune Adams dreams of being hunted.
For much of her life, the nightmare remained the same: Adams runs in the woods, chased by unseen captors.
“It is intergenerational trauma,” Adams explained, “from my ancestors being hunted and tortured.”
Adams is a member of the Penobscot Nation and the bounty that was placed on her Indigenous ancestors more than 250 years ago still torments her sleep and her waking hours.”
“Dawn Neptune Adams dreams of being hunted.
For much of her life, the nightmare remained the same: Adams runs in the woods, chased by unseen captors.
“It is intergenerational trauma,” Adams explained, “from my ancestors being hunted and tortured.”
Adams is a member of the Penobscot Nation and the bounty that was placed on her Indigenous ancestors more than 250 years ago still torments her sleep and her waking hours.
In November 1755, Lt. Governor Spencer Phips of Massachusetts Bay Colony offered rewards for hunting, killing and scalping Penobscot men, women and children living in what is now known as New England.
The brutal murders of her people, Adams said, runs through her blood and the blood of many other tribal members. The trauma of one generation, she said, is passed onto the next.”
Continue reading at The Maine Monitor.
We Are the Seeds 2022 celebrates Indigenous arts at Cherry Street Pier
“Over 14,000 people identify as Indigenous in the Philadelphia region, and director of We Are the Seeds Philly, Tailinh Agoyo wants you to explore their untold narratives this weekend at Cherry Street Pier.
With the backdrop of the Delaware River, Philadelphians will gather at the Pier on Nov. 18 and 19 to celebrate We Are the Seeds, a local organization that honors the voices of Indigenous and Native artists, performers, educators, and change-makers.”
“Over 14,000 people identify as Indigenous in the Philadelphia region, and director of We Are the Seeds Philly, Tailinh Agoyo wants you to explore their untold narratives this weekend at Cherry Street Pier.
With the backdrop of the Delaware River, Philadelphians will gather at the Pier on Nov. 18 and 19 to celebrate We Are the Seeds, a local organization that honors the voices of Indigenous and Native artists, performers, educators, and change-makers. “By bringing together indigenous artists and culture bearers to tell their work and their own stories, we’re celebrating who we are,” Agoyo said. “We’re celebrating our continuance and showing that we have not only survived but that we’re thriving.””
Continue reading at The Philadelphia Inquirer.
IDA Documentary Awards Shortlists Announced: ‘Fire Of Love,’ ‘The Territory,’ ‘All That Breathes’, ‘All The Beauty And The Bloodshed’ Gain Traction
“A handful of awards season frontrunners is starting to emerge with the announcement today of the IDA Documentary Awards Shortlists.”
Upstander Project’s Bounty and Reciprocity Project Season One short ᎤᏕᏲᏅ (What They’ve Been Taught) are included on the shorts shortlist.
“A handful of awards season frontrunners is starting to emerge with the announcement today of the IDA Documentary Awards Shortlists.
All That Breathes, directed by Shaunak Sen, All the Beauty and the Bloodshed, from Laura Poitras, and The Territory, from Alex Pritz, made the 25-film shortlist of features, a day after securing nominations for the Gotham Awards. Three other strong contenders – Sara Dosa’s Fire of Love, Brett Morgen’s David Bowie doc Moonage Daydream, and Daniel Roher’s NAVALNY also made the IDA shortlist (those three missed out on Gotham nods, but made up for it with Best Feature nominations last week for the Critics’ Choice Documentary Awards). See the complete features and shorts shortlists below.”
Continue reading at Deadline.
Check It Out At Mashpee Public Library - October 14, 2022
“Saturday, October 15, at 4 PM—Join us for a virtual screening of the 9-minute documentary film, “Bounty,” followed by a panel discussion.
In “Bounty,” Penobscot parents and children commemorate their survival by reading and reacting to the Phipps Proclamation, a government-issued proclamation that motivated colonial settlers to hunt, scalp and murder Indigenous people.”
“Saturday, October 15, at 4 PM—Join us for a virtual screening of the 9-minute documentary film, “Bounty,” followed by a panel discussion.
In “Bounty,” Penobscot parents and children commemorate their survival by reading and reacting to the Phipps Proclamation, a government-issued proclamation that motivated colonial settlers to hunt, scalp and murder Indigenous people.
The film will be followed by a panel discussion with Mishy Lesser, the learning director of the Upstander Project; Gkisedtanamoogk, Mashpee Wampanoag, co-chairperson; Maine Wabanaki from the State Child Welfare Truth and Reconciliation Commission, and Linda Coombs, Aquinnah Wampanoag, museum educator and historian.”
Continue reading at The Enterprise Mashpee.
Imagine Studios to present 'Dawnland' on March 30
A screening of Dawnland with a panel Q&A is being hosted on 3/30/2022 by The First Religious Society, Unitarian Universalist Church, Congregation Ahavas Achim, Unity on the River, Theater in the Open, and Imagine Studios as part of the Newburyport Indigenous Peoples’ Day Initiative.
“Did you know that for decades, child welfare authorities were removing Native American children from their homes to “save them from being Indian?” It didn’t happen long ago and far away, but in the state of Maine in the late 20th century. Find out more about it when Imagine Studios presents a free screening of Upstander Project’s documentary “Dawnland” streamed online on Wednesday, March 30, from 7 to 9 p.m.
“This is an opportunity for people to see the film,” said Kristine Malpica, executive director of Imagine Studios. “It’s about the legacy of what happened to the native peoples of Maine. The screening is one piece of a larger collaborative Indigenous Peoples’ Day Initiative to bring cultural awareness through education, arts and music events.’”
Continue reading at Wicked Local.